
Interestingly, even after many years of scientific research and brainstorming, biomedicine con- tinues to entertain a reductionist approach towards eating disor- ders. Deplorably, such socio-cultural rigidities regarding the shape and size of a wom-an's body have not only created an urgency in women to refashion themselves accordingĮating disorders are adequately researched as psychiatric distur- bances with tenacious residual symptoms however, a study on the subjective experience of an eating disorder could redefine the conventional and putative definition of the disorder as a mere manifestation of undernourishment. Keywords gender and health, illness behaviour, narrative analysis The modern-day definition of an ideal female body anchored on slenderness and fairness is undoubtedly the conception of patriarchal Western societies (Bordo, 2004 Wolf, 2002). Furthermore, this article also investigates why comics is the appropriate medium to provide a nuanced representation of the corporeal complications and socio-cultural intricacies of anorexia. In this context, by drawing theoretical postulates from Susan Bordo, David Morris and other theoreticians of varying importance, and by close reading Lesley Fairfield's Tyranny and Katie Green's Lighter than My Shadow, this article considers anorexia as the bodily manifestation of a cultural malady by analysing how cultural attitudes regarding body can be potential triggers of eating disorders in girls.

Interestingly, through an adept utilisation of the formal strengths of the medium of comics, many graphic medical anorexia narratives offer insightful elucidations on the question of how the female body is not merely a biological construction, but a biocultural construction too.


Socio-cultural rigidities regarding the shape and size of a woman's body have not only created an urgency to refashion themselves according to a range of set standards but also generated an infiltrating sense of body dissatisfaction and poor self-esteem leading to eating disorders.
